
So the only chance to not follow the circumstances was to destroy darkness with music and though this was done instinctively, I believe today that the creation of a band like Bethlehem was the only chance to save our all lives. With no way out, no options or possibilities. Basically four people came together, of such a kind that they all deeply were buried into something really dark, like living in a huge black hole. The others, Steinhoff and specially Classen came from broken homes and when I met them for the very first time, I very strongly felt that they also were completely lost. Our former guitarist, Kläus Matton also lost his father who committed suicide and lost his mom who died from cancer and surely experienced everything in a similar way than I did. Bethlehem was a way out, it totally helped to explain all those negative feelings and emotions into something so beautiful, which made it so easy to change all those dark things into something which always was a huge hold in my life, into music. When I came back into this miner´s ghost-town here, I had no friends, no nothing but only was buried in pain and suffering.

Of course also lost people who were very close to me which totally shocked my complete appearance, from one day to the other let me feel lost and lonely again. Myself was just back from the big German city I once lived in, where I lost nearly all of my friends and social contacts coz of drug overdoses or just coz they were bored by life in general and therefore killed themselves. To the time we started with our own music, some of us made some ugly experiences with things like suicide or death in general. Jürgen Bartsch, founder and bass player of Bethlehem, defines dark metal as such: "Dark Metal is a lifestyle, probably more than this. In cooperation with other parents, they started a crusade against Bethlehem and their "satanic" music (although Bethlehem were never a satanic band). After a while his mother started to call the band, saying that because of their music, her son become aggressive and built a "Satanic altar" in his room. It started when Matton gave one copy of their first demo to a 14 year-old boy. With "Schatten aus der Alexander Welt" the band altered their style and abandoned the black and death-doom influences that made up their personal and distinguished style, favouring a more Neue Deutsche Härte (New German Hardness) and electronic approach.īethlehem faced censorship and was even banned from playing in some German cities. On "Sardonischer Untergang im Zeichen irreligiöser Darbietung", Landfermann was replaced by Marco Kehren from the band Deinonychus, Guido Meyer de Voltaire ( Aardvarks) in turn replaced Kehren on "Schatten aus der Alexanderwelt" and "Mein Weg". Landfermann's vocals were particularly extreme, described by critics and fans alike as "one of the sickest and most extreme voices you'll ever hear from a human being". On their second full-length album "Dictius te necare" (Latin: You must kill yourself), Classen was replaced with Rainer Landfermann on vocals (known as the bass player in the German death metal band Pavor). They recorded a few demos in the early 1990s before releasing their debut full-length album "Dark Metal" in 1994, which featured Andreas Classen on vocals. Before begetting Bethlehem, Bartsch and Matton used to play in a German thrash metal band called Morbid Vision.


Bethlehem are widely credited for inventing the term dark metal (named after their first album). Many of their lyrics revolve around sickness, morbidity, suicide, death and madness, and may to some extent be personal to the band. Bethlehem is a metal band from Grevenbroich, Germany, formed in 1991 by Jürgen Bartsch and Kläus Matton.
